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Desert Cabal: A New Season in the Wilderness, by Amy Irvine
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"A slim volume reminiscent of the mass–market paperback copies of Desert Solitaire that so many of us have stuffed into a dusty backpack or stowed in the glove compartment on national park road trips… Irvine tells Abbey about climate change, fossil fuel dependence, and the environmental pickle in which we've found ourselves." —PACIFIC STANDARD "Abbey’s self–claimed country, Irvine says, is at risk for exactly the reasons he said it would be: greed, gasoline, and a gaping well of apathy. Preserving wilderness is even more important now than it was half a century ago, but the stakes aren’t as simple as he set them out to be. Desert Cabal has riled up some Abbey fans, but that’s exactly what makes it an important read." —OUTSIDE "A lyrical and raw conversation between Irvine and Abbey that is part tribute, part memoir, and part polemic. It'll get you thinking about the state of the desert, the fate of the wilderness movement and the actions we all need to take to save the places we love (including leaving them alone)." —ADVENTURE JOURNAL “With humor, wisdom and a sense of urgency, Irvine uses Desert Solitaire as a jumping off point to assess the current state of the world, to expose the very human error of the literary heroes on dusty pedestals, and to reinsert many of us back into the narrative… No matter your feelings about Edward Abbey, Irvine's Desert Cabal adds necessary depth to the dialogue. Many of us have been waiting years for that.†—ALBUQUERQUE ALIBI "While Irvine shares the love Abbey, who died in 1989, had for Utah's public lands, she contends some views and sentiments from his time need to be challenged. She points out privileges Abbey enjoyed as a white male; she questions his use of 'Abbey’s country.' From Abbey's first morning in the desert to his tale of a snake that guarded his campsite, Irvine questions and compares their experiences, including their failed marriages." —THE SALT LAKE TRIBUNE "The Abbey whom Irvine is talking to is neither the author himself nor a corpse; he's a literary ghost, one that has been living inside herself ever since she fell for his writing." —CATALYST "Fierce and clear—Irvine’s book effectively confronts the ritual of veneration and brings the reader closer to appreciating Abbey's work in a more constructive, relevant and productive frame than what has been allowed in the last five decades." —THE UTAH REVIEW "This iconoclastic inner discussion with her predecessor, Abbey, is fascinating—wherein Irvine challenges Abbey to consider his myopic, privileged perspective without failing in her deference for his attempt to raise consciousness of an entire generation prior." —SLUG MAGAZINE "At once intimate and expansive…a reminder that individuals, even titans like Abbey, can only do so much to save the 'best places.' It really does take a village (or cabal)." —TELLURIDE INSIDE AND OUT “A lyrical, raw and vulnerable conversation.†—TELLURIDE DAILY PLANET "The news Irvine breaks graveside is that the world, and specifically 'Abbey's country,' has changed… and there's no telling where [Abbey's] sentiments would place him in a landscape that now includes Standing Rock and Black Lives Matter, a generation of female activists and the #MeToo movement." —SANTA FE REPORTER "Irvine gradually builds to a ringing conclusion, stating simply and clearly that wilderness lovers 'need intimacy with people every bit as much as with place' and that 'going it alone is a failure of contribution and compassion.'" —PUBLISHERS WEEKLY "While an admirer of Abbey, Irvine illuminates his dated attitudes as she writes a love letter to the Utah desert. This brief series of essays will be enjoyed by those who treasure the desert, environmental activists, and fans of Desert Solitaire.†—LIBRARY JOURNAL “A grief–stricken, heart–hopeful, soul song to the American Desert, a wail, a keening, a rant, a scolding, a tumult, a prayer, an aria, and a call to action. Amy Irvine implores us to trade in our solitude for solidarity, to recognize ourselves in each other and in the places we love, so that we might come together to save them. In this time of all out war being waged on America’s Public Lands, I'm glad she's on my side.†—PAM HOUSTON, author of Contents May Have Shifted “Amy Irvine is Ed Abbey's underworld, her roots reaching into the dark, hidden water. In a powerful, dreamlike series of essays, she lays Desert Solitaire bare, looking back at the man who wrote the book and the desert left behind. This stream of consciousness, this conversation, this broadside is an alternate version of Abbey's country. It is another voice in the wilderness.†—CRAIG CHILDS, author of Atlas of a Lost World and Apocalyptic Planet"Ed Abbey's rise to sainthood has been a bit awkward: here is an earth hero who guzzles gas in search of his personal Eden, a champion of the underdog who snubs Mexican and Native people, an anarchist rabble–rouser who utters not a peep about his perch atop the patriarchy. Finally someone—and it could be no better iconoclast than Amy Irvine—wrassles him off the pedestal back down to the red dirt where he belongs. Half riot, half tribute, this is a roadmap through a crisis that neither Abbey nor any of us imagined." —MARK SUNDEEN, author of The Man Who Quit Money and The Unsettlers "If you’ve ever talked back to the canonical tomes of the environmental movement, this is a book for you. Here are the women, the people, the children, and the intimate dangers those old books so frequently erased. Here is a new and necessary ethic that might help us more openly love the land and the many living beings who share it. I found myself nodding—Yes! Yes! Thank you!—on nearly every page of Desert Cabal." —CAMILLE T. DUNGY, author of Guidebook to Relative Strangers: Journeys into Race, Motherhood and History and editor of Black Nature: Four Centuries of African American Nature Poetry
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About the Author
Amy Irvine is a sixth-generation Utahn and long-time public lands activist. Her work has been published in Orion, Pacific Standard, High Desert Journal, Climbing, Triquarterly, and other publications. Her memoir, Trespass: Living at the Edge of the Promised Land, received the Orion Book Award, the Ellen Meloy Desert Writers Award, and Colorado Book Award. Her essay â€Spectral Light,†which appeared in Orion and The Best American Science and Nature Writing, was a finalist for the Pen Award in Journalism, and her recent essay, “Conflagrations: Motherhood, Madness and a Planet on Fire†appeared among the 2017 Best American Essays’ list of Notables. Irvine teaches in the Mountainview Low–Residency MFA Program of Southern New Hampshire University—in the White Mountains of New England. She lives and writes off the grid in southwest Colorado, just spitting distance from her Utah homeland.
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Product details
Paperback: 98 pages
Publisher: Torrey House Press (November 6, 2018)
Language: English
ISBN-10: 1937226972
ISBN-13: 978-1937226978
Product Dimensions:
4 x 0.2 x 6.5 inches
Shipping Weight: 3.2 ounces (View shipping rates and policies)
Average Customer Review:
3.4 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#55,123 in Books (See Top 100 in Books)
Just about everyone who has read Desert Solitaire finds something (perhaps many somethings) in it they love. Just the same, they unearth plenty in the now half-century-old classic which they contend with or take offense to. Irvine takes Edward Abbey to task on some of the topics that so many of us have thought about or wanted to: Abbey's view on women, migrants (and/or immigration), and on the whole 'solitaire' notion.In Abbey's original Solitaire manuscript and his early journals, he was shown to have wife and child with him during one of his "seasons" in his little over-baked aluminum trailer in Arches; why no mention? Was 'solitaire' and solitude merely a portrayal, an image Abbey wished to uphold? In Cabal, Irvine points of that the idea of rugged individualism has, in some ways, gotten us into the absurd messes we western denizens have created and are now really beginning to wallow in. It takes a community, a cabal, to ultimately find solutions to these man-made messes, or to do anything else for that matter. (Abbey, of course, did appreciate what early Mormon settlers, as a community, accomplished.)Irvine does a fabulous job of presenting these rebuttals in a series of chapter-by-chapter essays, though they are not strictly rebuttals. (For some strange reason it's easy to agree with Abbey while disagreeing with him, as Irvine continually alludes to; we are all multi-sided, paradoxical individuals in a growing group of paradoxical individuals.) In addition, Irvine tells some of her story, but not to the point the book loses its focus. I really enjoyed this book! At fewer than 100 pages, it's a fairly straightforward read---straightforward, as in easy to read in one sitting---and can be re-read and studied in greater depth. There's a lot in it, for such a diminutive work. I wish it was longer!
I'd been anticipating this book for some time. Although the actual reading was basically pleasing, and Irvine can certainly create a really good sentence, this offering falls short of the mark insofar as what was promised in all its marketing hype. Admittedly it's been many years since I read Desert Solitaire, so I need to do that, then perhaps re-read this brief volume immediately afterward for another comparison. But this slim book left me wishing there was more to it.Taking Abbey to task in each chapter was admirable yet also felt somewhat rote, and Irvine's own personal history does not encompass all that the stunning desert wildlands encompass. While I appreciate her own historical link to the land—in terms of her Utah Mormon ancestry—being able to inform her viewpoint in a different manner than Abbey, it lacked a wider view that I think is necessary in this age. More people come to these places now from somewhere else, seeking solace or quiet or respite or simple beauty that does not exist back wherever they call home. Although I do understand those who have claimed Utah as their homeland for a few generations now feeling possessive or closer to it than those who arrived later, I'm also tired of them. They do not hold the only claim to these places. I realize she gets that, she knows that, yet for me it was too much of her own background to read about. While I also realize she can only tell her own story from her own viewpoint, I suppose I'm simply wishing for a more overarching text about Abbey's country...Amy's country...our wild sandstone and canyon red rock country. Maybe it's also that I don't like whiskey, or guns, in the backcountry, that somewhat turned me off. Her revelations about her own history are risky, vulnerable, and for that I laud her. She was using the Abbey model, the model of all personal essays, of bringing oneself into the landscape and the text. It is brave, and for that, I toast her with a raised glass of whatever one's beverage of choice might be.Yet with sublime words like these, I hoped for much more: “No longer can we be voyeurs, catching from scenic pullouts mere glimpses of the wild, uneven territory of our collective unconscious. The hour at hand demands that we molt all that we want and believe we know. Now we must slither — belly to stone — into the dens and burrows of our souls.†Yes, please. Our souls need more, so much more. Can someone please write a dense, rich, long, lusciously wandering yet tightly woven narrative about this topic of a season in the southern Utah wilderness? Gendered or not, rebuttal or not, pointed differences or not, that book still awaits creation out there somewhere. Maybe one day Irvine will be the one to pen it.
Depressing and negative, giving the exact opposite feeling you get after reading Desert Solitaire. Was hoping for an uplifting, updated, modern take on Abbey's classic. Instead we get attack after attack on Abbey's admittedly dated view on environmental issues, with nothing new offered in it's place, making this book a huge missed opportunity.
Pretty good little book. It raises some thoughtful criticism of Edward Abbey’s writings and the worldview that has proceeded from them. Definitively worth reading by Abbey’s fans.
I enjoyed the book, read it the first night I had it;thoughtful, entertaining
If ever a book about American public lands was regarded with reverence, it’s Edward Abbey’s Desert Solitude. Although I knew about it for years (and read his novel The Monkey Wrench Gang), I didn’t take on the sacred text until I first went to the Utah wilderness. A Moab bookseller recommended it along with Terry Tempest Williams’ Refuge, which I admired as much. But Williams didn’t confront the mystique of Abbey, who was dead and buried in the Arizona desert.Amy Irvine is not as polite. At a time when Moab is crawling with every kind of expensively clad wilderness adventurer, Irvine visits the place where Abbey’s ashes were buried and takes him on. She tells him how his worst expectations for the Utah desert and Arches National Park in particular have been far exceeded. And she blames not only the extraction industries but zealous environmentalists.Along with sharing stories about her wilderness experience, Irvine takes on Abbey for pretending to be alone, solitary, when often he was accompanied by one of his five (sequential) wives and his children. She informs him about the #metoo. Movement. And she lays down the reasons why being a woman alone in the wilderness is far more dangerous than for a solitary man. Yet like him, she finds the desert compelling and demanding, inspiring and treacherous. Like Abbey and her late father, she finds elation in risk. She is a worthy adversary.If you love Desert Solitude, you should read these essays. If you haven’t read Abbey’s book, buy them both.
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